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Contact
Talking to a director is better than a secretary.
By appointment:
254 High Street
Windsor, VIC 3181 Australia
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Telephone +61 412 604 654
kegan@earlst.com.au
Background
Over many years in business, Earl.St has forged strong working relationships with a diverse range of professionals — from exciting new start-ups to global monoliths. We are constantly on the lookout for new partnerships with individuals and companies who can match our passion for surpassing industry standards and personal bests.
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*professional romance
Careers
We currently do not have any positions available but are always on the lookout for fresh creative talent – feel free to shoot through your folio and we will get back to you as soon as possible.
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EDUCATE: Ramesh Mario Nithiyendran’s latest exhibition.
Dubbed the “bad boy of ceramics,” Sri Lankan-born, Sydney-based artist Ramesh Mario Nithiyendran is known for breaking the mould – both figuratively and literally. His vibrant, often unsettling creations challenge the conventions of sculpture, serving as bold avatars through which to explore themes of religion, race, gender and pop culture, with a particular emphasis on South Asian imagery. Nithiyendran’s boundary-pushing work has captivated audiences at Australia’s most renowned galleries and events, from the Art Gallery of New South Wales to Dark Mofo. His current solo exhibition, The Self Portrait and the Masks, at Sullivan+Strumpf in Zetland, offers a rare glimpse into his evolving artistry – an unmissable experience for art lovers in Sydney and beyond.
Nithiyendran’s second solo exhibition, The Self Portrait and the Masks, delves further into the recurring themes of his work, with a particular focus on the religious iconographies tied to his Sri Lankan ancestry. Central to the exhibition is the cultural motif of the mask, which Nithiyendran uses to interrogate questions of identity, language and the politics of self-representation. The exhibition’s standout piece is a monumental, hot-pink figure, standing with its eyes closed in quiet contemplation. Its face is a cast of Nithiyendran’s own, merging personal narrative with larger cultural reflections. We’re nothing short of super fans.
